Legend has it that the dragon has nine sons, but none has grown into a dragon, with each having his own appearance. They are (arranged by the seniority among brothers): Bixi, Chiwen, Pulao, Bi’an, Taotie, Baxia, Yazi, Suanni and Jiaotu.
The so-called “nine sons of the dragon” doesn’t mean that the dragon has exactly nine sons. In traditional Chinese culture, the number “nine” suggests a large number and is put in a supreme status. Nine is not an exact number, but a noble number. That’s why it is used to describe the number of sons the dragon has.
http://traditions.cultural-china.com/en/13Traditions1371.htmlDetailshttp://traditions.cultural-china.com/en/13T1371T2145.html Looking like a turtle, Bixi is fond of carrying heavy loads. He carries a stele all the year round. The image of the uncomplaining animal with unusual strength can be easily found in temples and ancestral halls. It is said that touching the animal could bring good luckBixiLooking like a turtle, Bixi is fond of carrying heavy loads.ChiwenChiwen looks somewhat like a lizard without a tail. He likes to gaze around in precarious areas.PulaoShaped like a dragon, but smaller in size, Pulao likes to roar.Bi’anAlso called “Xianzhang”, Bi’an looks like a tiger. He’s very powerful and interested in prisons and judicial cases.TaotieTaotie looks like a wolf and is extremely fond of eating.QiuniuQiuniu looks like a small yellow dragon with scales and loves music.YaziLooking like a jackal, Yazi stares at things with angry eyes and he’s fond of bloody killings.Suanni”Suanni” was originally the alias of the lion, so he looks like a lion. He likes smoke and fire and is fond of sitting.JiaotuJiaotu is like a mussel or a snail that’s tight-lipped by nature.
The people of China have a long held belief that they are descendents of the dragon, a tradition that is firmly embedded in their culture and one that is encountered across all aspects of Chinese society and in the minds of its people. Whereas in western cultures dragons are usually regarded as a symbol of malevolence, in China the dragon is held in high esteem for its dignity and power for good.
From primitive times people have regarded the dragon as an auspicious creature with the power to bless and influence their lives. As tribes fought for domination and came to be united under a common banner the dragon was adopted as a national icon. Such was the mysterious creature’s power it was regarded as the god of rain, thunder, the rainbow, and the stars. In a society that was founded upon agriculture and animal husbandry totally reliant upon its natural environment and in particular the climate, the dragon was worshipped as the source of all that was beneficial to communal well being. This concept has been sustained for thousands of years as more and more deification was bestowed upon the dragon ranging from being a bringer of joy to prophecy and miracles. With the establishment of a feudal society, emperors compared themselves to the dragon thereby making it the exclusive symbol of imperial majesty. Anyone who subsequently used the dragon as a symbol either intentionally or erroneously could be regarded as offending their ruler and condemned to death.
The image of the dragon has undergone a series of changes over the centuries becoming more and more mighty and beautiful. The original illustration on primitive bronze ware portrays it as ferocious and mysterious; in the Han Dynasty (206BC – 220), it became magnificent and unrestrained; while during the Tang Dynasty (618 – 907), it was personalized as gentle, tamed and graceful. From the Song Dynasty onwards (960 – 1279), the design became delicate and flowery.
There are several different kinds of dragon according to color, which may be yellow, blue, black, white or red. Of these the most highly revered was the yellow dragon and so each emperor wore a gown decorated with a yellow dragon pattern.
Although there are differences in appearance, the basics are similar. This is because it is a combination of the features of animals with which people were familiar. A dragon has a protruding forehead indicating wisdom and antlers signifying longevity. Its ox’s ears denote success in the imperial examination; it has tiger’s eyes as a sign of power; eagle’s claws showing bravery; while a fish’s tail implies flexibility and the horse’s teeth are a mark of diligence and so on.
The most vibrant and spectacular way of expressing fondness for the dragon is the dragon dance. This has evolved from what was a ritual rain dance into a popular entertainment performed during the period from Spring Festival until the Lantern Festival. The second day of the second lunar month is the Han people’s special time – ‘Dragon Heads-raising Day’. People could not tonsure their hair from the start of the lunar New Year until then. The activities for celebration are still for a good rain. Other big festivals related to the dragon include the Dragon Boat Festival and those of ethnic groups like Zhuang, Yao, Hani, and so on There was once a dragon in the ancient Orient
http://traditions.cultural-china.com/en/13Traditions4830.htmlFenghuang are mythological birds of East Asia that reign over all other birds. The males are called Feng and the females Huang. In modern times, however, such a distinction of gender is often no longer made and the Feng and Huang are blurred into a single feminine entity so that the bird can be paired with the Chinese dragon, which has male connotations